Alesis DM5Pro Kit Specifications Page 86

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Programming Drums
8 6 DM PRO REFERENCE MANUAL
P3 The MODULATION WHEEL TO FILTER Parameter
This Parameter is very similar to the Velocity to Filter Parameter described above.
However, instead of Velocity dynamically modulating the Filter Cutoff Frequency,
Modulation Wheel data received via MIDI will either raise or lower the Filter Cutoff
Frequency depending on whether the Value is positive or negative respectively.
To set the amount that Modulation Wheel data will modulate the Filter, move the
cursor beneath the Parameter Value and then turn the Value encoder:
SND1:FILTER
P3
MODWH>FILT: -2 0
In the above example, the Modulation Wheel to Filter Parameter has been given a
negative Value, which means that as the Modulation Wheel is moved up, Sound 1’s
Cutoff Frequency will be lowered and the Filter will close, making the Sound darker.
P4 The FILTER ENVELOPE TO FILTER Parameter
This Parameter is identical in concept to the Pitch Envelope to Pitch Parameter
(described above in the Pitch Function) except that in this case the envelope controls
the Filter Cutoff Frequency and not Pitch. The Filter Envelope to Filter Parameter
determines how much the Filter Envelope Function will affect the Filter Cutoff of the
current Sound.
To set the amount that you wish the Filter Envelope to modify the current Sound’s
Filter Cutoff Frequency, move the cursor beneath the Parameter Value and then turn
the Value encoder:
SND1:FILTER
P4
F-ENV>FILTER: 9 9
Like the Pitch Envelope, note that negative Values will “invert” the Envelope,
allowing you to create less conventional envelope shapes. Remember that
“inverting” is not the same as “reversing” – the envelope will still play in a forward
direction (attack is still attack, release is still release, etc.) but the Filter Cutoff
Frequency will be modulated in the opposite direction from a normal envelope.
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