Alesis DM5Pro Kit Specifications Page 156
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MIDI Supplement
1 5 6 DM PRO REFERENCE MANUAL
MIDI MESSAGE BASICS
The are two main types of MIDI messages. Channel messages, which are channel-
specific, consist of Voice and Mode messages. System messages, which do not have
a channel number and are received by all units in a system, include Common, Real
Time, and Exclusive messages.
CHANNEL MESSAGES: MODE MESSAGES
There are two messages that determine the MIDI mode (i.e., how a device will
receive MIDI data). The “Omni” message determines how many channels will be
recognized. Omni On means that data from all channels will be received; Omni Off
limits the number of channels, usually to one.
The “Mono/Poly” message deals with voice assignment within the synthesizer. In
Mono mode, only one note at a time plays in response to voice messages; in Poly
mode, as many voices can play notes as are available to play notes.
CHANNEL MESSAGES: VOICE MESSAGES
A synthesizer’s voice is the most basic unit of sound generation. Usually, each voice
plays one note at a time, so the number of notes you can play at one time will be
limited by the available number of voices. MIDI messages that affect voices include:
Note On. Corresponds to a key being pressed down; values range from 000 (lowest
note) to 127 (highest note). Middle C is 60.
Note Off. Corresponds to a key being released; values are the same as Note On.
Velocity. Corresponds to dynamics; values range from 001 (minimum velocity) to
127 (maximum velocity). A velocity of 000 is equivalent to a Note Off message.
Pressure. Indicates the pressure applied to a keyboard after pressing a key. Mono
pressure (Aftertouch) represents the average amount of pressure applied by all keys.
Poly Pressure produces individual pressure messages for each key.
Program Change. Sending a Program Change command from a sequencer or other
MIDI keyboard can change synth patches automatically. There are 128 Program
Change command numbers.
Also note that not all units number programs consistently. Some number them as
000-127, others as 001-128, and still others arrange programs in banks of 8 programs
(such as A1-A8, B1-B8, C1-C8, etc.).
Pitch Bend. This “bends” a note from its standard pitch.
Continuous Controllers. This term is sometimes abbreviated “CC” and is
followed by a number sign and a number, as in “CC #7”. If you look at the chart on
the next page, you’ll see that “Continuous Controller # 7” controls MIDI (or Main)
Volume. (What we mean by “continuous” is “able to go from 0 to 127 in increments
of 1”.)
Footpedals, breath controllers, and modulation wheels can vary sounds as you play,
thus adding expressiveness. MIDI allows for 64 continuous controllers and 58
continuous/switch controllers (which can act like continuous controllers, but some
are assumed to choose between two possible states, such as on/off).
- REFERENCE 1
- Contents 3
- RO REFERENCE MANUAL 5 5
- 6 DM PRO REFERENCE MANUAL 6
- IMPORTANT SAFETY 7
- INSTRUCTIONS 7
- Important Safety Instructions 8
- 8 DM PRO REFERENCE MANUAL 8
- (FRENCH) 9
- ’UTILISATION DE L’APPAREIL: 9
- RO REFERENCE MANUAL 10
- RO REFERENCE MANUAL 1 1 11
- CE DECLARATION OF CONFORMITY 12
- WELCOME TO THE 13
- DM PRO FRONT PANEL 14
- Welcome to the DM Pro 15
- DM PRO REFERENCE MANUAL 1 5 15
- DM PRO DISPLAY 16
- AC POWER HOOKUP 17
- ABOUT AUDIO CABLES 17
- A UDIO CONNECTIONS 18
- DM PRO REFERENCE MANUAL 1 9 19
- CONNECTIONS CHART 20
- EXTERNAL TRIGGER CONNECTIONS 21
- 2 2 DM PRO REFERENCE MANUAL 22
- A BRIEF HANDS-ON 23
- TUTORIAL 23
- BASIC MIDI SETUP 24
- RealProKit” 25
- AKk:005 PwrShoes 25
- Note:36 C1 25
- A Kk:005 PwrShoes 26
- RO REFERENCE MANUAL 2 7 27
- SAVING CHANGES TO A DRUMKIT 29
- PROGRAMMING EFFECTS 30
- DITING THE EFFECTS THEMSELVES 31
- OVERDRIVE 32
- Level: 00 32
- RO REFERENCE MANUAL 3 3 33
- SYSTEM ARCHITECTURE 35
- PROGRAMMING HIERARCHY 36
- RO REFERENCE MANUAL 3 7 37
- THE THREE MODES OF THE DM PRO 38
- THE DM PRO SIGNAL PATH 38
- RO REFERENCE MANUAL 3 9 39
- System Architecture 40
- 4 0 DM PRO REFERENCE MANUAL 40
- PROGRAMMING 41
- DRUMKITS 41
- THE TUNE FUNCTION 43
- THE MIX FUNCTION 43
- 2> Panned moderately right 44
- 3> Panned hard right 44
- Output: MAIN L/R 44
- Note:83 B4 44
- FX Level: 7 0 45
- Note:83 B4 45
- FX Bus:REVERB 46
- FX Bus:OD>DL>PCH 46
- Programming Drumkits 47
- DM PRO REFERENCE MANUAL 4 7 47
- THE NOTE CHASE FUNCTION 48
- DM PRO REFERENCE MANUAL 4 9 49
- Note: 72 C4 50
- Drumkit 50
- DM PRO REFERENCE MANUAL 5 1 51
- THE TRIGGER SEQUENCE FUNCTION 52
- RO REFERENCE MANUAL 5 3 53
- 5 4 DM PRO REFERENCE MANUAL 54
- THE MIDI FUNCTION 55
- MIDI Input: ON 56
- Note:60 C3 56
- MIDI Output: ON 56
- THE DRUMKIT NAME FUNCTION 57
- THE EFFECTS FUNCTION 57
- THE REVERB EFFECTS FUNCTION 61
- REVERB(Large) 63
- PreMx:IN25>DEL 63
- Inpt Filter:5 2 63
- Decay:70 64
- RO REFERENCE MANUAL 6 5 65
- HE OVERDRIVE EFFECTS FUNCTION 66
- THE DELAY EFFECTS FUNCTION 67
- Programming Effects 68
- 6 8 DM PRO REFERENCE MANUAL 68
- DELAY FX 69
- Feedback: 4 0 69
- Out to Rvb: 2 0 70
- THE PITCH EFFECTS FUNCTION 71
- PITCH TYPE: CHORUS OR FLANGER 72
- DM PRO REFERENCE MANUAL 7 3 73
- P6 The DEPTH Parameter 73
- PITCH TYPE: RESONATOR 74
- HE EQUALIZER EFFECTS FUNCTION 75
- EQUALIZER 76
- Lo Gain: +12dB 76
- DM PRO REFERENCE MANUAL 7 7 77
- PROGRAMMING DRUMS 79
- THE VOICE SELECT FUNCTION 80
- THE LEVEL FUNCTION 81
- THE PITCH FUNCTION 82
- SND1:PITCH 83
- PWHL>PITCH: 0 2 83
- PENV>PITCH: 5 0 83
- THE FILTER FUNCTION 84
- SND1:FILTER 85
- Frequency: 7 0 85
- VELO>FILT: 1 0 85
- MODWH>FILT: -2 0 86
- F-ENV>FILTER: 9 9 86
- THE AMPLITUDE FUNCTION 87
- 4 Rimshot Snare 4o f4 88
- VELOCITY CURVES 89
- THE THREE ENVELOPE GENERATOR 90
- RO REFERENCE MANUAL 9 1 91
- 9 2 DM PRO REFERENCE MANUAL 92
- RO REFERENCE MANUAL 9 3 93
- for the Pitch 94
- THE PITCH ENVELOPE FUNCTION 95
- THE FILTER ENVELOPE FUNCTION 95
- A-ENV>AMP in the 96
- HE MODULATION MATRIX FUNCTION 97
- PENV Level) 98
- FENV Level) 98
- DM PRO REFERENCE MANUAL 9 9 99
- THE DRUM NAME FUNCTION 100
- Programming Drums 101
- TRIGGERS 103
- P2 THE TRIGGER GAIN FUNCTION 104
- 105
- P5 THE RETRIGGER FUNCTION 107
- P4 THE THRESHOLD FUNCTION 107
- P4 THE HAT THRESHOLD FUNCTION 107
- P6 THE CROSSTALK FUNCTION 108
- HE NOISE SUPPRESSION FUNCTION 109
- Setup Number: 1 111
- Trigger Set 111
- HAT PEDAL TYPE: SWITCH 113
- Triggers 114
- 1 1 4 DM PRO REFERENCE MANUAL 114
- HAT PEDAL TYPE: PEDAL 115
- 116
- OUTPUT SENSITIVITY 117
- MOUNTING 117
- TRIGGER PLACEMENT 118
- MUFFLING 119
- 1 2 0 DM PRO REFERENCE MANUAL 120
- GLOBAL FUNCTIONS 121
- Controller A:012 122
- Global Edit 122
- Global Functions 123
- Hat Ped Chan:0 2 126
- Local Contrl:ON 126
- THE GLOBAL STORE FUNCTION 127
- 1 2 8 DM PRO REFERENCE MANUAL 128
- COPY SOUND 129
- KIT 00 (STR) 131
- Ed, then the Drum will be 132
- Load USER from 136
- Factory? (STR) 136
- Load FactryKit00 136
- Load TRIGS from 137
- ORD ABOUT THE INCLUDED CD-ROM 139
- USING PCMCIA EXPANSION CARDS 140
- PLAYING BACK A SEQUENCE FROM 140
- CARD SLOT 140
- RO REFERENCE MANUAL 1 4 1 141
- TROUBLESHOOTING 143
- MAINTENANCE/SERVICE 144
- REFER ALL SERVICING TO ALESIS 145
- OBTAINING REPAIR SERVICE 145
- Troubleshooting 146
- 1 4 6 DM PRO REFERENCE MANUAL 146
- ADVANCED TRIGGER INFORMATION 147
- TRIGGER CONNECTION DIAGRAMS 148
- RO REFERENCE MANUAL 1 4 9 149
- RO REFERENCE MANUAL 1 5 1 151
- TRIGGER/PEDAL CONNECTOR TYPES 153
- Advanced Trigger Information 154
- 1 5 4 DM PRO REFERENCE MANUAL 154
- MIDI SUPPLEMENT 155
- MIDI MESSAGE BASICS 156
- MIDI Supplement 157
- SYSTEM COMMON MESSAGES 159
- MIDI IMPLEMENTATION CHART 160
- GLOSSARY OF TERMS 163
- RO REFERENCE MANUAL 1 6 5 165
- RO REFERENCE MANUAL 1 6 7 167
- Glossary 168
- 1 6 8 DM PRO REFERENCE MANUAL 168
- RO REFERENCE MANUAL 1 7 3 173
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