Alesis 24 Specifications Page 98
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Specifications
STUDIO 24 REFERENCE MANUAL 9 7
SPECIFICATIONS
All measurements taken with an Audio Precision System One. All noise measurements taken
with trim at minimum and faders at unity gain with 22 Hz to 22 kHz bandwidth unless
otherwise specified. Main In & Out measurements made on balanced +4 dBu connectors. (+4
dBu into a line input with faders at unity and the meter reading “0” will yield +4 dBu into a
balanced load or -2 dBu into an unbalanced load. Unbalanced RCAs at -10dBV (.317 volts))
Subject to change without notice.
FREQUENCY RESPONSE
10 Hz – 75 kHz +0/-1 dB (any input to any output at nominal
operating levels)
-3 dB Point: >125 kHz
CONNECTORS
MIC IN jacks: Female XLR (Pin 1 ground, Pin 2 +,
Pin 3 -)
LINE IN jacks Female 1/4" 3-conductor phone (Tip =
+, ring = -, sleeve = ground)
TAPE IN, DIRECT OUT, 2 TRACK IN jacks: Female RCA
INSERT jacks: Female 1/4" 3-conductor phone (Tip =
send, ring = return, sleeve = ground)
Inserting plug to first "click" allows pre-
fader direct output without breaking
normal signal flow
MAIN OUT (top panel),
CONTROL ROOM OUT, and
AUX SEND jacks: Female 1/4" 3-conductor phone
(Tip = +, ring = -, sleeve = ground)
STEREO AUX RETURN jacks: Female 1/4" 2-conductor, unbalanced
MAIN OUT (rear panel): Female RCA
LEVELS
MIC IN -62 dBu to -12 dBu nominal, maximum
level +11 dBu
LINE IN -42 dBu to +8 dBu nominal, maximum
level +31 dBu (balanced)
TAPE IN -10 dBV nominal, +13 dBV (+15.2dBu)
maximum
MAIN 1/4” OUTPUT LEVELS
(when meter is at 0 VU) +4 dBu (1.24 volts) into a balanced load
-2 dBu into an unbalanced load
MAIN RCA OUTPUT LEVELS -10dBV (.316 volts)
MAXIMUM OUTPUT LEVEL +21 dBu unbalanced, +27 dBu balanced
(5 dB above "PK" segment of main
meter)
HEADROOM 23 dB above nominal output
- Contents 2
- TUDIO 24 REFERENCE MANUAL 3 4
- IMPORTANT SAFETY 6
- INSTRUCTIONS 6
- (FRENCH) 8
- ’UTILISATION DE L’APPAREIL: 8
- TUDIO 24 REFERENCE MANUAL 9 10
- CE DECLARATION OF CONFORMITY 11
- INTRODUCTION 12
- CONVENTIONS 13
- ABOUT THE STUDIO 24 16
- RECORDING 18
- Introduction 20
- AUX Sends 20
- NEEDED FOR 21
- Multitrack Recorder Mix 22
- (Groups, Directs and L/R) 22
- MONITOR (CONTROL ROOM) MIX 23
- (from AUX 24
- L/R masters 24
- 2 TRK inputs) 24
- Stereo Aux Returns (2) 25
- GUIDED TOUR 26
- THE EQUALIZER 27
- FADER AND ASSIGNMENT SECTION 28
- MONITOR 1/2 SECTION 29
- AUX SEND/RETURN SYSTEM 30
- CONTROL ROOM SYSTEM 31
- Guided Tour 33
- HOOKING IT UP 34
- AVOIDING GROUND LOOP NOISE 36
- CHANNEL INPUTS AND OUTPUTS 37
- LINE INPUTS 38
- TAPE INPUTS 38
- DIRECT OUTPUTS 39
- MASTER INPUTS AND OUTPUTS 40
- CHART OF CONNECTIONS 42
- RECORDER 43
- CONNECTING TO A HEADPHONE AMP 45
- CONNECTING TO A PATCHBAY 45
- EFFECTS AND SIGNAL 46
- PROCESSING 46
- Left/Right 47
- Left Input 47
- Dry Defeat = ON 47
- USING EFFECTS 48
- Effects and Signal Processing 51
- MULTITRACK RECORDING 52
- APPLICATIONS 52
- (STEREO) 56
- RECORDING TIPS 58
- ABOUT METERING 58
- OVERDUBBING 59
- Tape Returns 61
- ONITORING MIDI VIRTUAL TRACKS 63
- BOUNCING TRACKS 64
- PLAYBACK/MIXDOWN 66
- GUIDELINES FOR A ROUGH MIX 67
- ∞” (down) position 67
- Recording 69
- SOUND REINFORCEMENT 70
- STAGE MONITOR MIX 71
- DESCRIPTION OF 76
- CONTROLS 76
- EQUALIZER SECTION 77
- HIGH AND LOW 78
- CONTROLS: LEVEL AND FREQ 79
- AUXILIARY SEND SECTION 80
- CHANNEL OUTPUT SECTION 81
- -20 DB (SIGNAL PRESENT) LED 82
- GROUP ASSIGN SWITCH: GRP 82
- L/R SWITCH 82
- MASTER SECTION 83
- MONITOR 1/2 MASTER 84
- CONTROL ROOM/SOLO SECTION 86
- GROUP MASTER CONTROLS 87
- MONO SWITCH 88
- GRP 1 AND 2 MASTER FADERS 88
- L/R MASTER FADER 88
- TOP PANEL INPUTS AND OUTPUTS 89
- BACK PANEL 90
- RACK TAPE IN 91
- AIN OUTS 91
- HANNEL INPUT/OUTPUT JACKS (8) 92
- TROUBLESHOOTING 94
- MAINTENANCE/SERVICE 95
- REFER ALL SERVICING TO ALESIS 96
- OBTAINING REPAIR SERVICE 96
- Troubleshooting 97
- SPECIFICATIONS 98
- IMPEDANCE 99
- NOISE PERFORMANCE (TYPICAL) 99
- DISTORTION (THD+N) 99
- DIMENSIONAL DRAWINGS: 101
- GAIN DIAGRAM 102
- BLOCK DIAGRAM 103
- TUDIO 24 REFERENCE MANUAL 105
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