Alesis 24 Specifications Page 90
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Description of Controls
STUDIO 24 REFERENCE MANUAL 8 9
BACK PANEL
POWER SWITCH
This is the master power switch for the Studio 24. When it’s ON, the green LED on
the front panel will light.
POWER CABLE
An industry-standard removable power cable is shipped with your Studio 24. If you
lose it, or need a longer or shorter length, compatible cables are available from
electronics and computer stores. The type is sometimes referred to as a “NEMA to
CEE” cable, or an “IEC power” cord.
Never defeat the grounding pin of the power cable. Use only
approved power cables.
PHANTOM SWITCH
When this switch is pressed, it applies phantom power to the XLR microphone jacks
on all Channels, and the yellow PHANTOM LED on the front panel will light. 48
volts DC appears equally on pins 2 and 3 to be used by condenser-type microphones
requiring external power. Since this voltage is equal, it is “invisible” to standard
balanced dynamic microphones, hence the name, “phantom power.” Check the
manual for the mics you plan on using to make sure that this phantom method is
correct before you apply power.
The PHANTOM switch
must be turned off if any electronically
balanced line source (such as the balanced output of a tape recorder
or CD player) is connected to any XLR MIC IN jack; it could damage
the output circuitry of such units. When you turn PHANTOM off, it is
normal for it to decay gradually; make sure the yellow PHANTOM
LED is totally off before plugging electronic units in to the MIC jacks.
Note: Make sure the channel volumes are set to minimum or are
muted before switching the PHANTOM switch on. The
voltage surge at initial turn-on may cause a loud “pop” in
the system. Also, make sure that all mics are plugged in
before phantom power is turned on.
CONTROL ROOM OUTS L AND R
Connect these jacks to the input of your control room amplifier. Signal comes here
from the Control Room section of the mixer. The jacks are 3-conductor with a
forward-referenced ground to avoid ground loops, and may be used balanced or
unbalanced.
✪
- Contents 2
- TUDIO 24 REFERENCE MANUAL 3 4
- IMPORTANT SAFETY 6
- INSTRUCTIONS 6
- (FRENCH) 8
- ’UTILISATION DE L’APPAREIL: 8
- TUDIO 24 REFERENCE MANUAL 9 10
- CE DECLARATION OF CONFORMITY 11
- INTRODUCTION 12
- CONVENTIONS 13
- ABOUT THE STUDIO 24 16
- RECORDING 18
- Introduction 20
- AUX Sends 20
- NEEDED FOR 21
- Multitrack Recorder Mix 22
- (Groups, Directs and L/R) 22
- MONITOR (CONTROL ROOM) MIX 23
- (from AUX 24
- L/R masters 24
- 2 TRK inputs) 24
- Stereo Aux Returns (2) 25
- GUIDED TOUR 26
- THE EQUALIZER 27
- FADER AND ASSIGNMENT SECTION 28
- MONITOR 1/2 SECTION 29
- AUX SEND/RETURN SYSTEM 30
- CONTROL ROOM SYSTEM 31
- Guided Tour 33
- HOOKING IT UP 34
- AVOIDING GROUND LOOP NOISE 36
- CHANNEL INPUTS AND OUTPUTS 37
- LINE INPUTS 38
- TAPE INPUTS 38
- DIRECT OUTPUTS 39
- MASTER INPUTS AND OUTPUTS 40
- CHART OF CONNECTIONS 42
- RECORDER 43
- CONNECTING TO A HEADPHONE AMP 45
- CONNECTING TO A PATCHBAY 45
- EFFECTS AND SIGNAL 46
- PROCESSING 46
- Left/Right 47
- Left Input 47
- Dry Defeat = ON 47
- USING EFFECTS 48
- Effects and Signal Processing 51
- MULTITRACK RECORDING 52
- APPLICATIONS 52
- (STEREO) 56
- RECORDING TIPS 58
- ABOUT METERING 58
- OVERDUBBING 59
- Tape Returns 61
- ONITORING MIDI VIRTUAL TRACKS 63
- BOUNCING TRACKS 64
- PLAYBACK/MIXDOWN 66
- GUIDELINES FOR A ROUGH MIX 67
- ∞” (down) position 67
- Recording 69
- SOUND REINFORCEMENT 70
- STAGE MONITOR MIX 71
- DESCRIPTION OF 76
- CONTROLS 76
- EQUALIZER SECTION 77
- HIGH AND LOW 78
- CONTROLS: LEVEL AND FREQ 79
- AUXILIARY SEND SECTION 80
- CHANNEL OUTPUT SECTION 81
- -20 DB (SIGNAL PRESENT) LED 82
- GROUP ASSIGN SWITCH: GRP 82
- L/R SWITCH 82
- MASTER SECTION 83
- MONITOR 1/2 MASTER 84
- CONTROL ROOM/SOLO SECTION 86
- GROUP MASTER CONTROLS 87
- MONO SWITCH 88
- GRP 1 AND 2 MASTER FADERS 88
- L/R MASTER FADER 88
- TOP PANEL INPUTS AND OUTPUTS 89
- BACK PANEL 90
- RACK TAPE IN 91
- AIN OUTS 91
- HANNEL INPUT/OUTPUT JACKS (8) 92
- TROUBLESHOOTING 94
- MAINTENANCE/SERVICE 95
- REFER ALL SERVICING TO ALESIS 96
- OBTAINING REPAIR SERVICE 96
- Troubleshooting 97
- SPECIFICATIONS 98
- IMPEDANCE 99
- NOISE PERFORMANCE (TYPICAL) 99
- DISTORTION (THD+N) 99
- DIMENSIONAL DRAWINGS: 101
- GAIN DIAGRAM 102
- BLOCK DIAGRAM 103
- TUDIO 24 REFERENCE MANUAL 105
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