Alesis 24 Specifications Page 3
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Contents
2 STUDIO 24 REFERENCE MANUAL
Headphones......................................................................................................................40
Chart of Connections...................................................................................................................... 41
Connecting to an Unbalanced -10 dBV Multitrack Recorder .................................. 42
Connecting to a 2-Track Mixdown Deck..................................................................... 43
Connecting to a Control Room amplifier .................................................................... 44
Connecting to a Headphone Amp................................................................................ 44
Connecting to a Patchbay............................................................................................... 44
Effects and Signal Processing................................................................................ 45
Connecting Aux Sends and Returns to Outboard Effects....................................................... 45
Should you use one or two inputs to effects?............................................................. 46
Using Effects .................................................................................................................................... 47
Connecting Signal Processors to Insert Jacks ............................................................................ 49
Multitrack Recording Applications........................................................................ 51
Recording ......................................................................................................................................... 51
Setting Levels.................................................................................................................... 51
How to Record a Single Source to One Track............................................................. 53
Recording Multiple Sources to One Track .................................................................. 54
Recording Multiple Sources to Two Tracks (Stereo)................................................. 55
Recording Tips ................................................................................................................. 57
About Metering................................................................................................................ 57
Overdubbing.................................................................................................................................... 58
Using MONITOR 1/2 to Monitor the Multitrack...................................................... 58
Using the Channel Faders to Monitor the Multitrack............................................... 59
Getting the Mix to the Headphones ............................................................................. 61
Monitoring MIDI Virtual Tracks................................................................................... 62
Bouncing Tracks............................................................................................................... 63
Playback/Mixdown........................................................................................................................ 65
Getting the Mix to the 2-Track Deck ............................................................................ 65
Mixdown Basics ............................................................................................................... 65
Guidelines for a rough mix ............................................................................................ 66
Sound Reinforcement Applications ....................................................................... 69
Creating a mono house mix .......................................................................................................... 69
Su/jointfilesconvert/418429/bgrouping with the Group Faders .......................................................................................... 69
Stage Monitor Mix ........................................................................................................... 70
Alternate uses for the Monitor 1/2 section: Stereo recording during a live concert.......... 71
Using Monitor 1/2 to feed a cassette deck.................................................................. 72
Using Monitor 1/2 as the PA mix during multitrack recording............................. 73
Video Production and Post-Production...................................................................................... 74
Description of Controls ........................................................................................... 75
Channel Input Controls ................................................................................................................. 75
Trim .................................................................................................................................... 75
Fader/Monitor Source switch: ...................................................................................... 75
CHAN/MON REVERSE ................................................................................................ 75
DIRECT OUT SOURCE switch ..................................................................................... 76
Equalizer section ............................................................................................................................. 76
75 Hz switch...................................................................................................................... 76
HIGH and LOW............................................................................................................... 77
MID EQ controls: LEVEL and FREQ............................................................................ 78
Auxiliary Send Section................................................................................................................... 79
AUX 3 and AUX 4 Sends................................................................................................ 79
MONITOR 1/2 LEVEL and PAN (Channels 1 - 8).................................................... 79
MONITOR 1/2 LEVEL and BAL.................................................................................. 79
(Stereo Channels 9 - 16)................................................................................................... 79
Channel Output Section ................................................................................................................ 80
Channel PAN (Channels 1 - 8) ...................................................................................... 80
Channel BALance (Stereo Channels) ........................................................................... 80
- Contents 2
- TUDIO 24 REFERENCE MANUAL 3 4
- IMPORTANT SAFETY 6
- INSTRUCTIONS 6
- (FRENCH) 8
- ’UTILISATION DE L’APPAREIL: 8
- TUDIO 24 REFERENCE MANUAL 9 10
- CE DECLARATION OF CONFORMITY 11
- INTRODUCTION 12
- CONVENTIONS 13
- ABOUT THE STUDIO 24 16
- RECORDING 18
- Introduction 20
- AUX Sends 20
- NEEDED FOR 21
- Multitrack Recorder Mix 22
- (Groups, Directs and L/R) 22
- MONITOR (CONTROL ROOM) MIX 23
- (from AUX 24
- L/R masters 24
- 2 TRK inputs) 24
- Stereo Aux Returns (2) 25
- GUIDED TOUR 26
- THE EQUALIZER 27
- FADER AND ASSIGNMENT SECTION 28
- MONITOR 1/2 SECTION 29
- AUX SEND/RETURN SYSTEM 30
- CONTROL ROOM SYSTEM 31
- Guided Tour 33
- HOOKING IT UP 34
- AVOIDING GROUND LOOP NOISE 36
- CHANNEL INPUTS AND OUTPUTS 37
- LINE INPUTS 38
- TAPE INPUTS 38
- DIRECT OUTPUTS 39
- MASTER INPUTS AND OUTPUTS 40
- CHART OF CONNECTIONS 42
- RECORDER 43
- CONNECTING TO A HEADPHONE AMP 45
- CONNECTING TO A PATCHBAY 45
- EFFECTS AND SIGNAL 46
- PROCESSING 46
- Left/Right 47
- Left Input 47
- Dry Defeat = ON 47
- USING EFFECTS 48
- Effects and Signal Processing 51
- MULTITRACK RECORDING 52
- APPLICATIONS 52
- (STEREO) 56
- RECORDING TIPS 58
- ABOUT METERING 58
- OVERDUBBING 59
- Tape Returns 61
- ONITORING MIDI VIRTUAL TRACKS 63
- BOUNCING TRACKS 64
- PLAYBACK/MIXDOWN 66
- GUIDELINES FOR A ROUGH MIX 67
- ∞” (down) position 67
- Recording 69
- SOUND REINFORCEMENT 70
- STAGE MONITOR MIX 71
- DESCRIPTION OF 76
- CONTROLS 76
- EQUALIZER SECTION 77
- HIGH AND LOW 78
- CONTROLS: LEVEL AND FREQ 79
- AUXILIARY SEND SECTION 80
- CHANNEL OUTPUT SECTION 81
- -20 DB (SIGNAL PRESENT) LED 82
- GROUP ASSIGN SWITCH: GRP 82
- L/R SWITCH 82
- MASTER SECTION 83
- MONITOR 1/2 MASTER 84
- CONTROL ROOM/SOLO SECTION 86
- GROUP MASTER CONTROLS 87
- MONO SWITCH 88
- GRP 1 AND 2 MASTER FADERS 88
- L/R MASTER FADER 88
- TOP PANEL INPUTS AND OUTPUTS 89
- BACK PANEL 90
- RACK TAPE IN 91
- AIN OUTS 91
- HANNEL INPUT/OUTPUT JACKS (8) 92
- TROUBLESHOOTING 94
- MAINTENANCE/SERVICE 95
- REFER ALL SERVICING TO ALESIS 96
- OBTAINING REPAIR SERVICE 96
- Troubleshooting 97
- SPECIFICATIONS 98
- IMPEDANCE 99
- NOISE PERFORMANCE (TYPICAL) 99
- DISTORTION (THD+N) 99
- DIMENSIONAL DRAWINGS: 101
- GAIN DIAGRAM 102
- BLOCK DIAGRAM 103
- TUDIO 24 REFERENCE MANUAL 105
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