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03D—Owner’s Manual
Glossary
A/D converter—An electronic device that converts analog signals into digital signals.
AES/EBU format—The digital audio format established by the AES (Audio Engi-
neering Society) and EBU (European Broadcasting Union) that is used to transfer dig-
ital audio data between professional equipment. Two channels of digital audio (left/odd
and right/even) are carried in one connection, usually an XLR-type connection.
AFL (After Fader Listen)—A mixer function that allows monitoring of a signal after
the channel fader. Contrast with PFL.
Aliasing—A type of signal distortion that occurs during A/D conversion if the sam-
pling rate is less than twice that of the highest audio frequency. A/D converters employ
aliasing filters to remove audio frequencies higher than half the sampling rate. See also
Nyquist Sampling Theorem.
Anti-aliasing—In digital audio, a technique used to prevent aliasing in the form of an
anti-aliasing filter before A/D conversion. This filter removes audio frequencies that are
higher than half the sampling frequency (e.g., for a 32 kHz sampling rate, audio fre-
quencies above 16 kHz are filtered).
Bulk Dump—A MIDI function that allows data transfer between MIDI devices. Data
is transmitted as MIDI System Exclusive.
Bus—A common conductor used to collect and distribute audio signals.
CH—Abbreviation for channel.
Clipping—The unwanted distortion effect of overloading an audio circuit with a sig-
nal that is too large.
Coaxial format—The consumer digital audio format developed by Sony and Philips
that is used to transfer digital audio data between consumer-type digital audio equip-
ment, such as CD players, consumer DAT decks, DCC, and MiniDisc decks. Two chan-
nels of digital audio (left & right) are carried in one connection, usually a phono
connection. This format is also referred to as IEC958 and S/PDIF.
Control Change—A type of MIDI message that offers real-time control. Typical
Control Changes include Modulation, Volume, Pan, and Portamento.
D/A converter—An electronic device that converts digital signals into analog signals.
De-emphasis—See Emphasis.
DIO—Abbreviation of digital input and output.
Dither—The process of adding low-level random noise to audio signals in order to
reduce quantization noise in A/D converters. Dither is also applied during digital audio
wordlength reduction (e.g., 20 to 16 bit conversion).
DSP (Digital Signal Processor)—A chip designed specifically for processing large
amounts of data at high speed and in real time. This type of processor is ideal for han-
dling digital audio data.
Dynamic mix automation—Mixdown automation where mix settings are adjusted
in real time.
Dynamic range—The difference between the loudest and quietest signal levels in a
system. In an audio device, usually the difference between the maximum output level
and the residual noise floor. In a digital system, the available dynamic range is deter-
mined by the data resolution, about 6 dB per digital bit. Hence, a 16-bit system theo-
retically provides a 96 dB dynamic range.
- Owner’s Manual 1
- NEDERLAND 2
- THE NETHERLANDS 2
- Important Information 3
- Contents 10
- Welcome to the 03D 11
- Chapter 1—Welcome to the 03D 12
- 03D Features 13
- Key Feature Discussion 14
- Touring the 03D 19
- Top Panel 20
- Analog Control Section 21
- A Display 22
- B Stereo Output Meters 22
- C Contrast 22
- Top Panel 13 23
- Channel Control 23
- Fader Mode 23
- Scene Memory 23
- 14 Chapter 2—Touring the 03D 24
- MIDI Remote 24
- User Define 24
- A MIXING LAYER button 25
- B SEL buttons 25
- C ON buttons 25
- D Faders 25
- Rear Panel 26
- F INPUTs 9–16 27
- G MONITOR OUT 27
- H BUS OUTs 27
- 18 Chapter 2—Touring the 03D 28
- I AUX OUTs 28
- J REC OUT 28
- K ST OUT 28
- Rear Panel—Lower Half 29
- 20 Chapter 2—Touring the 03D 30
- H MIDI IN, OUT, THRU 30
- I YGDAI slot 30
- Block Diagram 21 31
- Block Diagram 31
- 22 Chapter 2—Touring the 03D 32
- About the User Interface 34
- Display 25 35
- Mixing Layer 1–16 36
- Display 27 37
- Mixing Layer 17–24/MASTER 37
- Display Elements 38
- Switches 38
- Rotary Controls 38
- PARAMETER 39
- Function Menu 40
- Mixing Layer 31 41
- Mixing Layer 41
- SEL Buttons 41
- ON Buttons 41
- Mixing Layer: 1–16 42
- Mixing Layer: 17–24/MASTER 42
- Title Edit Dialog Box 33 43
- Title Edit Dialog Box 43
- Input Channels 45
- Input Channel Overview 46
- Pad (input channels 1–8) 47
- Metering 47
- 38 Chapter 4—Input Channels 48
- Attenuator 48
- Phase 39 49
- 40 Chapter 4—Input Channels 50
- Channel Delay 50
- Channel Delay 41 51
- Dynamics Processor 52
- Setting Input Channel Levels 52
- Pan, Balance & Routing 52
- Direct Outputs 43 53
- Direct Outputs 53
- Aux Sends 53
- Monitoring Input Channels 53
- 44 Chapter 4—Input Channels 54
- Input Channels Block Diagram 54
- 46 Chapter 5—EQ 56
- About 03D EQ 56
- Adjusting the EQ 47 57
- Adjusting the EQ 57
- Bypassing the EQ 57
- 48 Chapter 5—EQ 58
- EQ Library 58
- Storing EQ Programs 49 59
- Storing EQ Programs 59
- 50 Chapter 5—EQ 60
- Recalling EQ Programs 60
- Editing EQ Program Titles 51 61
- Editing EQ Program Titles 61
- 52 Chapter 5—EQ 62
- Preset EQ Programs 62
- Preset EQ Programs 53 63
- 54 Chapter 5—EQ 64
- Preset EQ Programs 55 65
- 56 Chapter 5—EQ 66
- Selecting a Pan Mode 68
- Pan & Balance 69
- Pan Mode 70
- ST OUT-L 72
- ST OUT-R 72
- Surround Pan 63 73
- 2+2 Surround Mode 73
- 3+1 Surround Mode 73
- 3+2+1 Surround Mode 74
- Using Surround Pan 65 75
- Using Surround Pan 75
- Using Surround Pan 67 77
- Surround Pan Trajectories 77
- Using Surround Pan 69 79
- Stereo Link 79
- CSR (Center:Side Ratio) 79
- Solo, Monitors & Meters 81
- About Monitor & Solo 82
- Moni.Setup 82
- Monitor Outputs 73 83
- Monitor Outputs 83
- MONITOR OUT 83
- Monitoring 84
- Setting Up Solo 75 85
- Setting Up Solo 85
- Using Solo 86
- SOLO/ 2TR IN 87
- Solo Block Diagram 88
- Metering 79 89
- Metering 81 91
- Signal & Peak Indicators 91
- Main Stereo Meters 91
- Monitor Block Diagram 92
- Stereo Output 93
- +4dB(BAL) 94
- Muting the Stereo Output 95
- Balancing the Stereo Output 95
- 86 Chapter 8—Stereo Output 96
- Stereo Output Delay 96
- Stereo Output Block Diagram 97
- 88 Chapter 8—Stereo Output 98
- About Aux Sends 100
- Analog Aux Send Outputs 100
- Monitoring Aux Sends 100
- Metering Aux Sends 100
- 03D—Owner’s Manual 101
- 92 Chapter 9—Aux Sends 102
- Applying EQ to Aux Sends 103
- Aux Send Dynamics Processors 103
- Muting Aux Sends 103
- 94 Chapter 9—Aux Sends 104
- Aux Send Stereo Pairs 104
- Aux Send Block Diagram 95 105
- Aux Send Block Diagram 105
- 96 Chapter 9—Aux Sends 106
- Bus Outs 107
- 98 Chapter 10—Bus Outs 108
- Setting Bus Out Master Levels 109
- Muting Bus Outs 109
- Applying EQ to Bus Outs 109
- Bus Out Dynamics Processors 109
- 100 Chapter 10—Bus Outs 110
- Bus Out Delay 110
- Bus Out Stereo Pairs 111
- 102 Chapter 10—Bus Outs 112
- Bus Out Block Diagram 112
- Channel Library & View 113
- Channel Library 114
- Storing Channel Programs 105 115
- Storing Channel Programs 115
- Recalling Channel Programs 116
- Channel View 118
- Channel View 109 119
- Aux send view page 120
- Bus out view page 120
- Stereo output view page 120
- Groups & Pairs 121
- Fader Groups 122
- Mute Groups 123
- Stereo Pairs 124
- Configuring Stereo Pairs 124
- Stereo Pairs 115 125
- Input Channel Stereo Pairs 125
- Chapter 12—Groups & Pairs 126
- Onboard Effects 127
- About the Onboard Effects 128
- Preset Effects Programs 128
- Reverb/Early Reflections 128
- Preset Effects Programs 119 129
- Delay/Echo 129
- Modulation 129
- Pitch Change 130
- Multi-effect 130
- Distortion 130
- Preset Effects Programs 121 131
- Dynamic Effects 131
- Applying Effects 132
- Effects Returns 133
- Metering Effects Returns 133
- Chapter 13—Onboard Effects 134
- Effects Library 125 135
- Effects Library 135
- Storing Effects Programs 136
- Recalling Effects Programs 137
- Effects Parameters 129 139
- Effects Parameters 139
- DELAY LCR 140
- Effects Parameters 131 141
- SYMPHONIC 141
- HQ.PITCH (Effect 2 only) 142
- Effects Parameters 133 143
- DUAL PITCH 143
- REV+CHORUS 143
- REV->CHORUS 144
- REV+FLANGE 144
- Effects Parameters 135 145
- REV->FLANGE 145
- REV+SYMPHO 145
- REV->SYMPHO 146
- REV->PAN 146
- Effects Parameters 137 147
- DELAY+ER 147
- DELAY->ER 147
- DELAY+REV 148
- DELAY->REV 148
- Effects Parameters 139 149
- MONODELAY->REV 149
- AMP SIMULATE 149
- DYNA.FILTER 150
- DYNA.FLANGE 150
- Effects Parameters 141 151
- DYNA.PHASER 151
- FREEZE (Effect 2 only) 151
- Effects Block Diagram 152
- Dynamics Processors 153
- About the Dynamics Processors 154
- Dynamics Library 147 157
- Dynamics Library 157
- Storing a Dynamics Program 158
- Recalling a Dynamics Program 159
- Processor Types 151 161
- Processor Types 161
- Processor Types 153 163
- Hard Compander 165
- Soft Compander 165
- Preset Dynamics Programs 157 167
- Preset Dynamics Programs 167
- Preset Dynamics Programs 159 169
- Preset Dynamics Programs 161 171
- Scene Memories 173
- 164 Chapter 15—Scene Memories 174
- About Scene Memories 174
- SCENE MEMORY 175
- 166 Chapter 15—Scene Memories 176
- Storing Mix Scenes 176
- Using the Scene Mem. Page 176
- Storing Mix Scenes 167 177
- 168 Chapter 15—Scene Memories 178
- Recalling Mix Scenes 178
- Undoing Mix Scene Recalls 169 179
- Using Automix 179
- Undoing Mix Scene Recalls 179
- 170 Chapter 15—Scene Memories 180
- Editing Scene Memory Titles 181
- 172 Chapter 15—Scene Memories 182
- Sorting Scene Memories 182
- Setting a Fade Time 173 183
- Setting a Fade Time 183
- 174 Chapter 15—Scene Memories 184
- Recalling Scene Data Safely 184
- In this chapter 185
- 176 Chapter 16—Automix 186
- About Automix 186
- Automix Pages 186
- About Automix 177 187
- Current Automix 187
- Automix Memory 187
- 178 Chapter 16—Automix 188
- Automix Transport Controls 188
- About Automix 179 189
- First Mix Scene 189
- 180 Chapter 16—Automix 190
- Creating a New Automix 190
- Enabling Automix 190
- Setting the Time Base 181 191
- Setting the Time Base 191
- 182 Chapter 16—Automix 192
- Setting an Automix Offset 192
- Safe Channels 183 193
- Safe Channels 193
- 184 Chapter 16—Automix 194
- Recording an Automix 185 195
- Recording an Automix 195
- 186 Chapter 16—Automix 196
- Playing Back an Automix 187 197
- Playing Back an Automix 197
- 188 Chapter 16—Automix 198
- Rerecording Events 198
- Automix Punch-In/Punch-Out 199
- 190 Chapter 16—Automix 200
- Editing Fader Moves On-the-fly 200
- Fader Edit Page 201
- 192 Chapter 16—Automix 202
- Editing Events Off-line 193 203
- Editing Events Off-line 203
- 194 Chapter 16—Automix 204
- Editing Events Off-line 195 205
- 196 Chapter 16—Automix 206
- Editing Events Off-line 197 207
- EQ Gain Event Value Table 207
- EQ Q Event Value Table 207
- 198 Chapter 16—Automix 208
- Extracting Events 208
- Extracting Events 199 209
- 200 Chapter 16—Automix 210
- Undoing Automix Operations 210
- Clearing the Undo Buffer 201 211
- Clearing the Undo Buffer 211
- 202 Chapter 16—Automix 212
- Storing Automixes 212
- Recalling Automixes 203 213
- Recalling Automixes 213
- 204 Chapter 16—Automix 214
- Swapping the Current Automix 214
- Editing Automix Titles 205 215
- Editing Automix Titles 215
- 206 Chapter 16—Automix 216
- Clearing Automix Memories 216
- Other Functions 217
- USER DEFINE 218
- User Define Buttons 209 219
- User Define Button Indicators 220
- User Define Buttons 211 221
- Using the Onboard Oscillator 222
- 03D Preferences 213 223
- 03D Preferences 223
- Checking the Battery 224
- Initializing the 03D 224
- Calibrating the Faders 224
- Digital I/O 225
- 216 Chapter 18—Digital I/O 226
- Wordclock Setup 226
- About Wordclocks 226
- Selecting a Wordclock Source 226
- Wordclock Setup 217 227
- 218 Chapter 18—Digital I/O 228
- Digital Stereo Out 219 229
- Digital Stereo Out 229
- DIGITAL STEREO OUT 229
- 220 Chapter 18—Digital I/O 230
- Output Dither 230
- Digital Stereo In 221 231
- Digital Stereo In 231
- Emphasis 231
- DIGITAL STEREO IN 231
- 222 Chapter 18—Digital I/O 232
- Digital Input Monitor 232
- YGDAI Cards 233
- 224 Chapter 18—Digital I/O 234
- Multitrack Recorders 234
- YGDAI Cards 225 235
- YGDAI Block Diagram 235
- 226 Chapter 18—Digital I/O 236
- Installing YGDAI Cards 236
- Cascading the 03D 227 237
- Cascading the 03D 237
- 228 Chapter 18—Digital I/O 238
- Cascade Delay 238
- Cascading the 03D 229 239
- Using Solo with Cascade 239
- Cascade Block Diagram 239
- 230 Chapter 18—Digital I/O 240
- MIDI and the 03D 242
- MIDI Connectors & TO HOST 242
- MIDI/HOST Setup 243
- 234 Chapter 19—MIDI 244
- MULTIPORT Mode 244
- TO HOST Baud Rate 244
- MIDI Setup 235 245
- MIDI Setup 245
- 236 Chapter 19—MIDI 246
- MIDI Setup 237 247
- 238 Chapter 19—MIDI 248
- MIDI Monitor 248
- Program Change Assign 239 249
- Program Change Assign 249
- 240 Chapter 19—MIDI 250
- Control Change Assign 250
- 242 Chapter 19—MIDI 252
- Bulk Dump 252
- 244 Chapter 19—MIDI 254
- MIDI Remote 245 255
- 246 Chapter 19—MIDI 256
- ProR3, REV500 Pages 256
- MIDI Remote 247 257
- GM Tone Generator Page 257
- 248 Chapter 19—MIDI 258
- MIDI Remote 249 259
- Pro Tools Page 259
- 250 Chapter 19—MIDI 260
- User Define Page 260
- Troubleshooting 261
- Appendix A: General 263
- Display Messages 264
- Display Messages 255 265
- Security Cover 266
- Rack-mounting Kit 266
- Fitting Instructions 266
- Appendix B: Specifications 267
- Channel Specs 259 269
- Channel Specs 269
- Channel Specs 261 271
- Memory/Library Specs 272
- EQ Specs 272
- Analog Inputs Specs 263 273
- Analog Inputs Specs 273
- Analog Outputs Specs 274
- Digital Inputs Specs 275
- Digital Outputs Specs 275
- YGDAI Interface Card Specs 275
- Control I/O Specs 275
- 03D Dimensions 276
- Appendix C: MIDI 277
- MIDI Data Format 271 281
- MIDI Data Format 281
- 1 Transmit/Receive Data 281
- 2. Transmission Condition 282
- 3. Receive Condition 282
- MIDI Data Format 273 283
- MIDI Data Format 275 285
- MIDI Data Format 277 287
- Change Assign 287
- MIDI Implementation Chart 288
- Appendix D: Resources 289
- Glossary 291
- Numerics 295
- 286 Index 296
- 288 Index 298
- 290 Index 300
- YAMAHA CORPORATION 302
- P.O.Box 1, Hamamatsu, Japan 302
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