Alesis 03D User Manual Page 145
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Effects Parameters 135
03D—Owner’s Manual
REV->FLANGE
REV+SYMPHO.
Parameter Range Description
REV.TIME 0.3–99.0 s Length of reverb.
INI.DLY 0.1–500.0 ms
Delay time until the early reflections of the reverb are
heard.
HI.RATIO 0.1–1.0
Length of the high frequency portion of the reverb,
expressed as a ratio relative to REV.TIME.
DIFF. 0–10 Left/right spread of the reverb sound.
DENSITY 0–100% Density of the reverb.
HPF
THRU,21 Hz–8.0
kHz
Cutoff frequency of the high pass filter.
LPF
50 Hz–16.0 kHz,
THRU
Cutoff frequency of the low pass filter.
REV.BAL 0–100% Balance of reverb and flanged reverb. 100 is only reverb.
FREQ. 0.05 Hz–40.00 Hz Modulation speed.
DEPTH 0–100% Modulation depth.
FB.GAIN –99 to +99% Amount of feedback.
MOD.DLY 0.0–500.0 ms
Delay time from the direct sound until the modulated
sound.
WAVE SINE, TRI Modulation waveform. SINE: sine wave, TRI: triangle wave
Parameter Range Description
REV.TIME 0.3–99.0 s Length of reverb.
INI.DLY 0.1–500.0 ms
Delay time until the early reflections of the reverb are
heard.
HI.RATIO 0.1–1.0
Length of the high frequency portion of the reverb,
expressed as a ratio relative to REV.TIME.
DIFF. 0–10 Left/right spread of the reverb sound.
DENSITY 0–100% Density of the reverb.
HPF
THRU,21 Hz–8.0
kHz
Cutoff frequency of the high pass filter.
LPF
50 Hz–16.0 kHz,
THRU
Cutoff frequency of the low pass filter.
REV.BAL 0–100%
Balance of reverb and symphonic. 0 is only symphonic, 100
is only reverb.
FREQ. 0.05–40.00 Hz Modulation speed.
DEPTH 0–100% Modulation depth.
MOD.DLY 0.0–500.0 ms
Delay time from the direct sound until the modulated
sound.
WAVE SINE, TRI Modulation waveform. SINE: sine wave, TRI: triangle wave
- Owner’s Manual 1
- NEDERLAND 2
- THE NETHERLANDS 2
- Important Information 3
- Contents 10
- Welcome to the 03D 11
- Chapter 1—Welcome to the 03D 12
- 03D Features 13
- Key Feature Discussion 14
- Touring the 03D 19
- Top Panel 20
- Analog Control Section 21
- A Display 22
- B Stereo Output Meters 22
- C Contrast 22
- Top Panel 13 23
- Channel Control 23
- Fader Mode 23
- Scene Memory 23
- 14 Chapter 2—Touring the 03D 24
- MIDI Remote 24
- User Define 24
- A MIXING LAYER button 25
- B SEL buttons 25
- C ON buttons 25
- D Faders 25
- Rear Panel 26
- F INPUTs 9–16 27
- G MONITOR OUT 27
- H BUS OUTs 27
- 18 Chapter 2—Touring the 03D 28
- I AUX OUTs 28
- J REC OUT 28
- K ST OUT 28
- Rear Panel—Lower Half 29
- 20 Chapter 2—Touring the 03D 30
- H MIDI IN, OUT, THRU 30
- I YGDAI slot 30
- Block Diagram 21 31
- Block Diagram 31
- 22 Chapter 2—Touring the 03D 32
- About the User Interface 34
- Display 25 35
- Mixing Layer 1–16 36
- Display 27 37
- Mixing Layer 17–24/MASTER 37
- Display Elements 38
- Switches 38
- Rotary Controls 38
- PARAMETER 39
- Function Menu 40
- Mixing Layer 31 41
- Mixing Layer 41
- SEL Buttons 41
- ON Buttons 41
- Mixing Layer: 1–16 42
- Mixing Layer: 17–24/MASTER 42
- Title Edit Dialog Box 33 43
- Title Edit Dialog Box 43
- Input Channels 45
- Input Channel Overview 46
- Pad (input channels 1–8) 47
- Metering 47
- 38 Chapter 4—Input Channels 48
- Attenuator 48
- Phase 39 49
- 40 Chapter 4—Input Channels 50
- Channel Delay 50
- Channel Delay 41 51
- Dynamics Processor 52
- Setting Input Channel Levels 52
- Pan, Balance & Routing 52
- Direct Outputs 43 53
- Direct Outputs 53
- Aux Sends 53
- Monitoring Input Channels 53
- 44 Chapter 4—Input Channels 54
- Input Channels Block Diagram 54
- 46 Chapter 5—EQ 56
- About 03D EQ 56
- Adjusting the EQ 47 57
- Adjusting the EQ 57
- Bypassing the EQ 57
- 48 Chapter 5—EQ 58
- EQ Library 58
- Storing EQ Programs 49 59
- Storing EQ Programs 59
- 50 Chapter 5—EQ 60
- Recalling EQ Programs 60
- Editing EQ Program Titles 51 61
- Editing EQ Program Titles 61
- 52 Chapter 5—EQ 62
- Preset EQ Programs 62
- Preset EQ Programs 53 63
- 54 Chapter 5—EQ 64
- Preset EQ Programs 55 65
- 56 Chapter 5—EQ 66
- Selecting a Pan Mode 68
- Pan & Balance 69
- Pan Mode 70
- ST OUT-L 72
- ST OUT-R 72
- Surround Pan 63 73
- 2+2 Surround Mode 73
- 3+1 Surround Mode 73
- 3+2+1 Surround Mode 74
- Using Surround Pan 65 75
- Using Surround Pan 75
- Using Surround Pan 67 77
- Surround Pan Trajectories 77
- Using Surround Pan 69 79
- Stereo Link 79
- CSR (Center:Side Ratio) 79
- Solo, Monitors & Meters 81
- About Monitor & Solo 82
- Moni.Setup 82
- Monitor Outputs 73 83
- Monitor Outputs 83
- MONITOR OUT 83
- Monitoring 84
- Setting Up Solo 75 85
- Setting Up Solo 85
- Using Solo 86
- SOLO/ 2TR IN 87
- Solo Block Diagram 88
- Metering 79 89
- Metering 81 91
- Signal & Peak Indicators 91
- Main Stereo Meters 91
- Monitor Block Diagram 92
- Stereo Output 93
- +4dB(BAL) 94
- Muting the Stereo Output 95
- Balancing the Stereo Output 95
- 86 Chapter 8—Stereo Output 96
- Stereo Output Delay 96
- Stereo Output Block Diagram 97
- 88 Chapter 8—Stereo Output 98
- About Aux Sends 100
- Analog Aux Send Outputs 100
- Monitoring Aux Sends 100
- Metering Aux Sends 100
- 03D—Owner’s Manual 101
- 92 Chapter 9—Aux Sends 102
- Applying EQ to Aux Sends 103
- Aux Send Dynamics Processors 103
- Muting Aux Sends 103
- 94 Chapter 9—Aux Sends 104
- Aux Send Stereo Pairs 104
- Aux Send Block Diagram 95 105
- Aux Send Block Diagram 105
- 96 Chapter 9—Aux Sends 106
- Bus Outs 107
- 98 Chapter 10—Bus Outs 108
- Setting Bus Out Master Levels 109
- Muting Bus Outs 109
- Applying EQ to Bus Outs 109
- Bus Out Dynamics Processors 109
- 100 Chapter 10—Bus Outs 110
- Bus Out Delay 110
- Bus Out Stereo Pairs 111
- 102 Chapter 10—Bus Outs 112
- Bus Out Block Diagram 112
- Channel Library & View 113
- Channel Library 114
- Storing Channel Programs 105 115
- Storing Channel Programs 115
- Recalling Channel Programs 116
- Channel View 118
- Channel View 109 119
- Aux send view page 120
- Bus out view page 120
- Stereo output view page 120
- Groups & Pairs 121
- Fader Groups 122
- Mute Groups 123
- Stereo Pairs 124
- Configuring Stereo Pairs 124
- Stereo Pairs 115 125
- Input Channel Stereo Pairs 125
- Chapter 12—Groups & Pairs 126
- Onboard Effects 127
- About the Onboard Effects 128
- Preset Effects Programs 128
- Reverb/Early Reflections 128
- Preset Effects Programs 119 129
- Delay/Echo 129
- Modulation 129
- Pitch Change 130
- Multi-effect 130
- Distortion 130
- Preset Effects Programs 121 131
- Dynamic Effects 131
- Applying Effects 132
- Effects Returns 133
- Metering Effects Returns 133
- Chapter 13—Onboard Effects 134
- Effects Library 125 135
- Effects Library 135
- Storing Effects Programs 136
- Recalling Effects Programs 137
- Effects Parameters 129 139
- Effects Parameters 139
- DELAY LCR 140
- Effects Parameters 131 141
- SYMPHONIC 141
- HQ.PITCH (Effect 2 only) 142
- Effects Parameters 133 143
- DUAL PITCH 143
- REV+CHORUS 143
- REV->CHORUS 144
- REV+FLANGE 144
- Effects Parameters 135 145
- REV->FLANGE 145
- REV+SYMPHO 145
- REV->SYMPHO 146
- REV->PAN 146
- Effects Parameters 137 147
- DELAY+ER 147
- DELAY->ER 147
- DELAY+REV 148
- DELAY->REV 148
- Effects Parameters 139 149
- MONODELAY->REV 149
- AMP SIMULATE 149
- DYNA.FILTER 150
- DYNA.FLANGE 150
- Effects Parameters 141 151
- DYNA.PHASER 151
- FREEZE (Effect 2 only) 151
- Effects Block Diagram 152
- Dynamics Processors 153
- About the Dynamics Processors 154
- Dynamics Library 147 157
- Dynamics Library 157
- Storing a Dynamics Program 158
- Recalling a Dynamics Program 159
- Processor Types 151 161
- Processor Types 161
- Processor Types 153 163
- Hard Compander 165
- Soft Compander 165
- Preset Dynamics Programs 157 167
- Preset Dynamics Programs 167
- Preset Dynamics Programs 159 169
- Preset Dynamics Programs 161 171
- Scene Memories 173
- 164 Chapter 15—Scene Memories 174
- About Scene Memories 174
- SCENE MEMORY 175
- 166 Chapter 15—Scene Memories 176
- Storing Mix Scenes 176
- Using the Scene Mem. Page 176
- Storing Mix Scenes 167 177
- 168 Chapter 15—Scene Memories 178
- Recalling Mix Scenes 178
- Undoing Mix Scene Recalls 169 179
- Using Automix 179
- Undoing Mix Scene Recalls 179
- 170 Chapter 15—Scene Memories 180
- Editing Scene Memory Titles 181
- 172 Chapter 15—Scene Memories 182
- Sorting Scene Memories 182
- Setting a Fade Time 173 183
- Setting a Fade Time 183
- 174 Chapter 15—Scene Memories 184
- Recalling Scene Data Safely 184
- In this chapter 185
- 176 Chapter 16—Automix 186
- About Automix 186
- Automix Pages 186
- About Automix 177 187
- Current Automix 187
- Automix Memory 187
- 178 Chapter 16—Automix 188
- Automix Transport Controls 188
- About Automix 179 189
- First Mix Scene 189
- 180 Chapter 16—Automix 190
- Creating a New Automix 190
- Enabling Automix 190
- Setting the Time Base 181 191
- Setting the Time Base 191
- 182 Chapter 16—Automix 192
- Setting an Automix Offset 192
- Safe Channels 183 193
- Safe Channels 193
- 184 Chapter 16—Automix 194
- Recording an Automix 185 195
- Recording an Automix 195
- 186 Chapter 16—Automix 196
- Playing Back an Automix 187 197
- Playing Back an Automix 197
- 188 Chapter 16—Automix 198
- Rerecording Events 198
- Automix Punch-In/Punch-Out 199
- 190 Chapter 16—Automix 200
- Editing Fader Moves On-the-fly 200
- Fader Edit Page 201
- 192 Chapter 16—Automix 202
- Editing Events Off-line 193 203
- Editing Events Off-line 203
- 194 Chapter 16—Automix 204
- Editing Events Off-line 195 205
- 196 Chapter 16—Automix 206
- Editing Events Off-line 197 207
- EQ Gain Event Value Table 207
- EQ Q Event Value Table 207
- 198 Chapter 16—Automix 208
- Extracting Events 208
- Extracting Events 199 209
- 200 Chapter 16—Automix 210
- Undoing Automix Operations 210
- Clearing the Undo Buffer 201 211
- Clearing the Undo Buffer 211
- 202 Chapter 16—Automix 212
- Storing Automixes 212
- Recalling Automixes 203 213
- Recalling Automixes 213
- 204 Chapter 16—Automix 214
- Swapping the Current Automix 214
- Editing Automix Titles 205 215
- Editing Automix Titles 215
- 206 Chapter 16—Automix 216
- Clearing Automix Memories 216
- Other Functions 217
- USER DEFINE 218
- User Define Buttons 209 219
- User Define Button Indicators 220
- User Define Buttons 211 221
- Using the Onboard Oscillator 222
- 03D Preferences 213 223
- 03D Preferences 223
- Checking the Battery 224
- Initializing the 03D 224
- Calibrating the Faders 224
- Digital I/O 225
- 216 Chapter 18—Digital I/O 226
- Wordclock Setup 226
- About Wordclocks 226
- Selecting a Wordclock Source 226
- Wordclock Setup 217 227
- 218 Chapter 18—Digital I/O 228
- Digital Stereo Out 219 229
- Digital Stereo Out 229
- DIGITAL STEREO OUT 229
- 220 Chapter 18—Digital I/O 230
- Output Dither 230
- Digital Stereo In 221 231
- Digital Stereo In 231
- Emphasis 231
- DIGITAL STEREO IN 231
- 222 Chapter 18—Digital I/O 232
- Digital Input Monitor 232
- YGDAI Cards 233
- 224 Chapter 18—Digital I/O 234
- Multitrack Recorders 234
- YGDAI Cards 225 235
- YGDAI Block Diagram 235
- 226 Chapter 18—Digital I/O 236
- Installing YGDAI Cards 236
- Cascading the 03D 227 237
- Cascading the 03D 237
- 228 Chapter 18—Digital I/O 238
- Cascade Delay 238
- Cascading the 03D 229 239
- Using Solo with Cascade 239
- Cascade Block Diagram 239
- 230 Chapter 18—Digital I/O 240
- MIDI and the 03D 242
- MIDI Connectors & TO HOST 242
- MIDI/HOST Setup 243
- 234 Chapter 19—MIDI 244
- MULTIPORT Mode 244
- TO HOST Baud Rate 244
- MIDI Setup 235 245
- MIDI Setup 245
- 236 Chapter 19—MIDI 246
- MIDI Setup 237 247
- 238 Chapter 19—MIDI 248
- MIDI Monitor 248
- Program Change Assign 239 249
- Program Change Assign 249
- 240 Chapter 19—MIDI 250
- Control Change Assign 250
- 242 Chapter 19—MIDI 252
- Bulk Dump 252
- 244 Chapter 19—MIDI 254
- MIDI Remote 245 255
- 246 Chapter 19—MIDI 256
- ProR3, REV500 Pages 256
- MIDI Remote 247 257
- GM Tone Generator Page 257
- 248 Chapter 19—MIDI 258
- MIDI Remote 249 259
- Pro Tools Page 259
- 250 Chapter 19—MIDI 260
- User Define Page 260
- Troubleshooting 261
- Appendix A: General 263
- Display Messages 264
- Display Messages 255 265
- Security Cover 266
- Rack-mounting Kit 266
- Fitting Instructions 266
- Appendix B: Specifications 267
- Channel Specs 259 269
- Channel Specs 269
- Channel Specs 261 271
- Memory/Library Specs 272
- EQ Specs 272
- Analog Inputs Specs 263 273
- Analog Inputs Specs 273
- Analog Outputs Specs 274
- Digital Inputs Specs 275
- Digital Outputs Specs 275
- YGDAI Interface Card Specs 275
- Control I/O Specs 275
- 03D Dimensions 276
- Appendix C: MIDI 277
- MIDI Data Format 271 281
- MIDI Data Format 281
- 1 Transmit/Receive Data 281
- 2. Transmission Condition 282
- 3. Receive Condition 282
- MIDI Data Format 273 283
- MIDI Data Format 275 285
- MIDI Data Format 277 287
- Change Assign 287
- MIDI Implementation Chart 288
- Appendix D: Resources 289
- Glossary 291
- Numerics 295
- 286 Index 296
- 288 Index 298
- 290 Index 300
- YAMAHA CORPORATION 302
- P.O.Box 1, Hamamatsu, Japan 302
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