Alesis HR-16:B User Manual download pdf (Page 50)

the beat numter, indicating that it can be changed with the keypad or the +/- buttons. To

access the other parameters, the page up and page down buttons are used. They tnove

the cursor as shown in the foliowing displays'

001/2.0: C#-2

002AJO CHAN 01

064

001/00: Qjf’2

002/00 CHAN 01

0641

001/00: C#-2

002A)0 CHAN 01

2.6 4

001/00: C#-2

202A)0 CHAN 01

0641

001/00; C#-2

002/20 CHAN 01

064

001/00: C#-2

002/00 CHAN 21

064

The cursor moves to the next parameter, and will "loop around' past the last parameter

back to the first. The MIDI channel is the channel that the note is output on if the track's

MIDI channel is assigned to UNCHANGED. If the track is assigned to a specific channel, the

original channel number will be shown in parenthesis. The note's MIDI channel can still be

changed, but no effect will be heard unless the track's MIDI channel is assigned to

UNCHANGED. (See MIDI Channel, page 20.)

Other MIDI information is displayed as follows. This information wiii oniy be

dispiayed if it has been entered into the sequence beforehand. See

page 16, Adding an Event. For pitch bend, the display includes the beat, the

sub-beat, MIDI channel, and pitch bend amount. The pitch bend range Is from

-4096 to +4095. The page up and page down cPsplays scroll as follows:

got/00: PCH BEND

4095 CHAN 01

___

001/20: PCH BEND

4095 CHAN 01

001/00; PCH BEND

¿095 CHAN 01

001/00: PCH BEND

4095 CHAN 01

Pitch bend amounts can be entered with the keypad, but the only way to achieve negative

numbers is to use the - button until negative numbers are reached, after which any keypad

entry will be negative.

For after touch, the display includes the beat, sub-beat, MIDI channel, and after touch

amount. The after touch range is from 0 to 127. The page up and page down displays

scroll as follows:

Alesis MMT-8 Instructbns .................................................................................................... Page 14

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Alesis HR-16:B User Manual Page 50

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